Hungarian Dance No.5

Hungarian Dance No.5 (Johannes Brahms (1833 - 1897), the great conservative Romantic, is considered by many to be Beethovens true successor and is counted among the prestigious 3 Bs of Classical music - Bach, Beethoven, and Brahms. Brahmss exposure to Hungarian and so-called gypsy music began when he was young--after the Hungarian uprising in 1848 (which resulted in a wave of emigration) and during tours with Hungarian violinist Eduard Reményi. This music made a lifelong impression on Brahms, with characteristics like the use of triplet figures and irregular rhythms reflected in a large portion of his music. The Hungarian Dances, evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Numbers 1, 3, and 10 were subsequently set for symphony orchestra by the composer (all of the dances have now been arranged by various musicians for orchestra), followed by settings of several of the dances for solo piano. Violin virtuoso Joseph Joachim, a lifelong friend of Brahms, arranged all 21 of the dances for violin and piano. The 5th dance, originally in F-sharp minor, is probably the most celebrated of the set. The present arrangement of this dance for trombone and piano is based partially on Joachims arrangement for violin, though it also draws on a version for solo piano. It showcases the both the expressive and technical possibilities of the trombone. Will Kimball is principal trombonist with the Arkansas Symphony Orchestra. He is also a member of the music faculty at Arkansas Tech University, where he teaches trombone and euphonium. He has published several articles and reviews on the alto trombone and is currently pursuing his DMA at Arizona State University, with a dissertation on alto trombone solo literature.)